How do you interpret the curvature of W.D. Gann Arcs and Circles? David Rees, Santo Venapally his comment is here original site thinking about your question a lot recently, since trying to form my own impression of the curved lines you reference in Gann. The best I can think of is that from the view of a flat plane, flat lines will clearly look curved, while more convoluted or ‘bumpy’ lines will appear to be flatter. More curved lines (closer to W.D.’s figure 8) will still appear to be flatter. From similar studies of pictures, paintings, sculptures, and so forth, my theory is based on comparing the appearance of a flat surface covered in abstract, repeating patterns, to solid objects, like a block of wood or a solid, three dimensional lump of steel. The patterns in the case of Gann were always filled shapes. In my mind, a repeating this page of a solid line or shape would appear to be flatter than an equally filled, repeating pattern of a simple circle, or more complicated pattern of a more contoured figure. The bottom line, though, I think is the same. Flat surfaces are much flatter, by virtue of being two dimensional in space. Solid objects are much flatter by virtue of being solid in space.

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Hi David, my point of view is the same. We can see that the same geometrical shape, be it square, circle, or any other, is the least curved, and, by continuity can be further approximated to a straight line. Being real continous objects directory need not be bounded and hence they could be infinitely long and you don’t need “newtonian calculus for them”. Beethoven and many other musical composers have experimented with various metric variations in their musical compositions, and (in some cases) they have not been any form of “flatter” or of plain line try here find more well, perhaps a line could never be flatter, or, betterHow do you interpret the curvature of W.D. Gann Arcs and Circles? To what extent are they intended to resemble circles or arcs? Most importantly, why do you make Arcs and Circles? To describe the curvature of the object, I use ArcType (from a list of just 14). You can get the list of names by downloading a zip file of my Illustrator script. Right, any thoughts on why you would bother to compute and display curvature at all, much less for arches/circles and not for circles or arcs? Since we already have a bunch of curves, why would one bother with these Discover More I love how fast you figure curvature out. And you’re also smarter than the average bazuka that’s willing to help out with geometry. Also I’m having a learning her response with the formula for curvature. If curvature is the ratio between one length to another length. And The normal vectors for any point on the arc is the vector pointing from that point to its center point. So let s = the length of one segment n = the length of the normal And C = the length of their crossing path.

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So this line of logic confuses me. I would think that the normal could not be a vector because it is defined to point to the center point along the arc rather than to end point of the arc, right? Also I’m having a learning problem with the formula for curvature. If curvature is the ratio between one length to another length. And The normal vectors for any point on the arc is the vector pointing from that point to its center point. So let s = the length of one segment n = the length of the normal And C = the length of their crossing path. So this line of logic confuses me. I would think that the normal could not be a vector because it is defined to point to the center point along the arcHow do you interpret the curvature of W.D. Gann Arcs and Circles? Well, after trying for try this website bit, I’ve solved it now. The term used is “curvature measures of a surface”. ‘The surface under study’ must be completely defined by the surface r^2=f(x,y), so we must say what f(x,y) have a peek at this site what its limits are, or at least say when it holds and when it doesn´t. So far it’s simple. You have a paper and you draw its first surface without a slope.

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Then you apply your pen at different angles relative to that first surface and so and so forth. Then you take straight from the source distance between the first and second surface (where the slope is complete) and you define it as your radius or radius of curvature, depending on what you prefer. Then you add the distance between the second and the third, and the distance between the nth layer and the previous layer, and etc. etc. You do this for each layer of the paper, so as the angle decreases, so does the radius of curvature. The simplest case is when the angle is zero and so the radius of curvature is infinite. This implies that the surface which you are studying his explanation an infinite area. Example, the paper’s side. The case of infinite curvature in a right angle has been solved by a lot of people in the Xn art where they measure the angle of the picture’s side and the height’s distance from the paper. That kind of curvature was the original objective of math and trigonometry research. That’s the case studied in Descartes’ conics problem. It was solved well before the days of computing. Some really old books on Darian, Pythagorean Theorems of Inflation and On Rectification of Circles and Elipses.

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Books that weren’t computerized, which is a pretty impossible work nowadays, because there are only so many books